Mher Khachatryan

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© 2021 Mher Khachatryan. Image courtesy of the artist.

Artist Bio

Armenian born and New York based artist Mher Khachatryan's interest is the

beauty of the smoke and fire, the life and death. He escapes the limits of the real

world through his art.

 

As a youth, Mher studied in Yerevan at Art School of Hakob Kodjoyan. However,

he began private art lessons a lot earlier, at the age of five. Mher earned his BFA

in drawing and painting at the Art college of Panos Terlemezyan, and his MFA at the

Academy Of Fine Arts in Yerevan, Armenia.

 

Mher has won many awards, and he is an honored member of Artist’s Union of

Armenia. Khachatryan’s work, “My Angel,” can be found in the National Gallery of Armenia,

dedicated to the 100th anniversary of the Armenian Genocide. His art has also joined private collections in Armenia, Russia, and in the USA. Mher's work has been exhibited at the United Nation's Headquarters on World No Tobacco Day (May 31st), as well as in galleries and art fairs like Art Expo NYC, Spectrum FL, SCOPE FL, and many more.

 

Mher Khachatryan’s work has been published in numerous magazines and newspapers—US Weekly, OK magazine, Star, National Enquirer, Radar, Never Forget, Art, Takes

Time Square, Arvestagir, Agos, Sobranie, Golos, Armenii, Miami Talent Magazine, Art Creation, KC Artist, Art things in Northeast, The Pitch...

Selected Exhibitions

  • 2017 Solo show on World NO Tobacco Day May 31st, United Nations Headquarters , NY
  • 2015 100 Years of Armenian Genocide, Solo Show, Albert & Tove Boyajian Gallery, Yerevan

  • 2015 The Devine Light, Solo Show, NJ 2009 Solo Show, Reference Gallery, NY

  • 2017 Group Show, Van Der Plas Gallery, NY

  • 2017 Group Show, Gerald R. Ford Presidential Museum, MI

  • 2016 Group Show, DeVos Convention Center, MI

  • 2015 100 Years Later, Group Show, National Museum of Armenia, Yerevan

In the Media

Artist Statement 

“A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.” ― Leonardo da Vinci

Smoke, created from extinguished flame, carries remnants of light, of life. Smoke is the lingering connection between the living and the dead, between the past and the present, between the tangible and the elusive. Smoke is ethereal- delicate and other worldly.

Watching smoke, studying smoke, I am mesmerized. It pulls me into its fragile yet compelling grasp and guides me away from convention, from our limiting reality, into a space where everything is possible.


Leonardo’s comments on darkness and light reflect my artistic transition to exclusively study and create images in smoke. In an academic setting, I teach different styles and encourage exploration. I want artists to develop the skills that enable them to present and share how they see the world, how they feel. Personally, about six years ago, I began to concentrate on the beauty of the image and the hidden fragility of a concrete shape, rather than the colors of an object. Starting with a black canvas, I honor nature’s darkness and light’s significance in exposing truth. Painting smoke images builds a connection from the artist and the viewer to another world, another life.


Some people close to me say they have seen the soul leave a loved one’s body, through the mouth, at the time of passing. Mimicking smoke, the delicate, yet strong and powerful, soul drifts through the air toward the heavens. Like this soul floating toward eternity, we do not know when a smoke trail will end. I hope that my art helps the viewer to connect with the delicate, yet strong and powerful, world we cannot see.


Using oil, I work on black canvases of varying size. I find that an intimate image can be conveyed on large and small canvases. Some of my larger works are 8 ft x 26 ft, like 9/11 and The Last Supper. 9/11 is dedicated to the victims of one of America’s darkest chapters. I painted 2,977 candles to represent each innocent soul lost on that tragic day. Amongst the smoke is the light of hope and remembrance for the victims of 9/11 and the great city of New York. The Last Supper was a personal project in which I referenced numerous iconic paintings within one depiction. Honoring past artists and art works relates to my use of smoke because I am acknowledging a connection to the past while also interpreting it. I rearranged the order of the apostles, for example, to physically tie Judas Iscariot with the image of Christ’s crucifixion.


Smoke is a reminder of how fragile life is. In this fragility, there is a gift. Remembering that life is precious, delicate, and elusive will help us appreciate loved ones, new acquaintances, and experiences. I hope that my paintings allow you, the audience, to stay connected to this world and the one beyond, even if just through a grey trail of light, of life.

Collections

The National Museum of Armenia
Works held in private collections in Canada, the United States, Armenia and Russia. 

Exhibitions at Stride Arts