The manikin’s series was firstly created when Liao traveled in Pairs in 1983. Industrialization provided a mechanical world. People were living in a pre-set, systematic, and less flexible life. Liao used manikin to analogize the people in this era, possessively accepting family and love, which was an irony implied by Liao.
Keywords: Gate, Fortune, printmaking, Chinese symbol
Subjects: Chinese fortune gate
Style: Contemporary, Fine Arts, Chinese, Modern Printmaking, Abstract